A continued investigation
into bridge buildings strengthened
the trademark of Craig Ellwood & Associates
in 1964: the truss.
Craig Ellwood’s weekend house
follows up on the development of the
likewise not built Chamorro house from 1962.
Designed as a steel bridge (house) as a standard
type for repeated use, it anticipates the 1970-75 built
Art Center College of Design in Pasadena. Associate
Gerald Horn designed the structure as a Pratt truss construction,
encasing the inwards offset glazing. Leaving the steel construction
undisguised the project marks a return to Ellwood’s earlier phase of
nonsensualism.
Gribētos piebilst. Šo pasauli, ja paskatās no gaišās puses, tik skaistu padarījuši ideālisti - sapņotāji, inženieri, zelta roku īpašnieki un citi nemiera cēlāji. Vieni izlolo, otri sarēķina, uzrasē, trešie sametina, noliek īstajā vietā, iestiklo, nomēbelē ... Ja es pareizi sapratu, - dabā šādas brīvdienu mājas nav. Nu un tad! Pat maketā šāds projekts izstaro eventuālu, rāmu pilnību!
Varam uzlikt pat kādu jaunas un dikti talantīgas meitenes dziesmu. Kanādiete Serena Ryder, uzaugusi pie Beatles un Leonard Cohen mūzikas. Pašas žanri esot folk rock un indie rock. Kaut kāds retro tajā visā ir.
Craig Ellwood’s weekend house
follows up on the development of the
likewise not built Chamorro house from 1962.
Designed as a steel bridge (house) as a standard
type for repeated use, it anticipates the 1970-75 built
Art Center College of Design in Pasadena. Associate
Gerald Horn designed the structure as a Pratt truss construction,
encasing the inwards offset glazing. Leaving the steel construction
undisguised the project marks a return to Ellwood’s earlier phase of
nonsensualism.
nonsensualism.
Varam uzlikt pat kādu jaunas un dikti talantīgas meitenes dziesmu. Kanādiete Serena Ryder, uzaugusi pie Beatles un Leonard Cohen mūzikas. Pašas žanri esot folk rock un indie rock. Kaut kāds retro tajā visā ir.
